2021 is here. Are we really still swiping with no repercussions? Will things change? Ever? Or is there room to be hopeful?
Read More ->>Chloe Austin takes a look at Space #2: Swipe Right, musing on the issues of digital representation within online dating and art.
Read More ->>Artist and writer, Chloe Austin, provides a list of books and online papers that she has found interesting in relation to her practice. From novels to Tate articles to work from social critics.
Read More ->>Space #2 artist and PG writer interviews herself to find out more about what drives her practice.
Read More ->>Nae Haverin’ interview with Profile Gallery's cofounders, Beth and Grace
Read More ->>Read Izzy's case for escapism through Samantha Watson's dreamscapes.
Read More ->>Resident curators of PG, Grace and Farah, give a glimpse into their curatorial process.
Read More ->>In the fourth part of the 'IMHO' series, Tanika takes on She Goat's online listening event.
Read More ->>In the third part of the IMHO series, Tanika Maya Lay takes on Sara Kane's live-streamed theatre production, Crave.
Read More ->>In the second part of the 'In my humble opinion' series, Tanika Maya Lay takes on Joji's one-night-only live-streamed event, The Extravaganza.
Read More ->>To kick off the 'In my humble opinion' series, Tanika Maya Lay has reviewed Profile Gallery's very first exhibition, Space #1; a film based exhibition showcasing UK artists' experiences of life either influenced indirectly or directly by the pandemic
Read More ->>Ben Dawson provides a list of books, articles, and videos that he has found interesting in the production of his work. From books on gay rights activism to lecture series on AI dreaming.
Read More ->>BC talks to SPACE#1 working class queer artist, Ben Dawson, about his practice, his aesthetic language and all things cowboys.
Read More ->>The designer & developer of ProfileGallery.net takes you through his creative process when building the website. Musings on Defining Art and Breaking Rules.
Read More ->>PROFILE GALLERY: the idea derived from a time of isolation and a hiatus in the art world. Whilst the UK was locked down and locked up, we noticed a surge in creativity from artists and art enthusiasts alike. Like many, we waited for the art galleries to set their digital alternatives in motion. But we got tired of waiting.
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